Saturday, July 5, 2014

Captivated by Cebu’s Colonial Churches (Part 5)



Oslob completes my recent tour along southern Cebu’s heritage trail. Mention the name of this place and chances are, people would most likely be thinking about the friendly whale sharks locally known as butanding, which have become the latest sensations in this quiet town south of the island province.

If you’re one of those who think that Oslob is all about those friendly gentle giants, well, think again. The quaint town has more than meets the eye! On a brief sojourn there, I discovered a number of ancient Spanish landmarks that speak so much of the richness and grandeur of the Cebuanos’ heritage.
Our Lady of the Immaculate Conception Church




Legend has it that Oslob got its name from the Visayan word, 
toslob, which means “to soak or dip”. When a group of Spanish guardia civil came to town in the 1700s, they saw two natives eating boiled bananas while soaking them in vinegar. The strangers then inquired from the locals the name of the place.


Thinking they were being asked what they were doing, the Cebuanos replied, toslob, referring to the act of soaking the bananas in vinegar, which made the Spaniards think the town was called “Toslob.” Over time, the “T” was dropped and Oslob came to be the town’s name as a result of the miscommunication.

Swimming with Oslob’s butanding seemed enticing. However, it wasn’t part of my agenda. Truth be  told, the culture vulture in me had a far less mundane intention than that, which is to pay a visit to an old and massive bastion of faith that has stood the test of events and the elements—Our   Lady of the Immaculate Conception Churc

Done in Neoclassical style, the coral stone church with a yellowish façade was built in 1830 and completed in 1848. Like most of the others I’ve visited in southern Cebu, the church, which faces Bohol Strait, is surrounded by a stone wall. Today, this church complex forms part of what is known as the Oslob Heritage Park. 

From what I’ve gathered, the Oslob Church was destroyed by fire thrice, first in 1942, then in 1955 and most recently, in 2008. Fortunately, efforts to restore the church back to its former glory were completed in 2010. To my dismay, however, it was closed at the time when I came—I failed to see its restored interior!


Belfry of Oslob Church



Standing beside the Oslob Church is its four-storey massive bell tower with a Neoclassical dome, which was built in 1859. The belfry was reportedly five-levels high but the topmost floor was destroyed by a typhoon and was never rebuilt.


A capilla posa



Across the church, I saw this stone structure that resembled a chapel—must be an old capilla posa (a processional oratory that’s rarely or never a chapel) or a capilla mortuario (mortuary chapel). Presently, it seemed like it had been converted into a bodega where a number of damaged religious stuff are being kept.


Front view of Cuartel 




A stone’s throw away from the church is the town’s heritage park. Here, you can find the remains of an unfinished immense structure that looked like a military facility. Gazing at it, I was suddenly reminded of the ruins of Fort Santiago in Intramuros. I went on the explore the landmark that’s one of Oslob’s attractions.
   
Simply known as Cuartel, the Spanish word for “barracks”, the abandoned edifice was reportedly intended to serve as a first line of defense for the Spanish naval forces against hostile invaders given the location of Oslob, which was then prone to attacks by Moros coming from the sea. 


A marker at the site mentions that the uncompleted structure was built by a certain El Gran Maestro Don Marcus Sabandal to house the Spanish armies. However, its construction never came to fruition when the Americans arrived in the Philippines in 1899 and became the new rulers of the archipelago.






 




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Baluarte





While basking in the beauty of my surroundings, I saw the ruins of the so-called baluarte, one of the seven watchtowers erected along the coastline of Oslob in 1788 as part of the fortifications against the Moro raids during those days.

Sinking into one of the benches there, I basked in the serenity of the sea and sky right in front of me. Then, I noticed this small island looming at the distant horizon—Sumilon. The island is said to have this private beach resort that boasts of high-end amenities for tourists. Who knows, I might get there someday. LOL!








Sumilon Island












Soaking up in Oslob’s heritage landmarks, particularly its church, turned out to be a one-of-a-kind last summer hurrah for me. The spiritual sortie I had there as well as in the other churches of southern Cebu have enhanced my knowledge about the history of those towns and enriched my understanding of the depth of the Cebuanos’ faith. 






Having experienced the flush of excitement that came with the pursuit of this heritage trail, I highly recommend the path to enlightenment to all those who want to go on a pilgrimage, a retreat or a soul-searching sojourn at any given time to the churches of Argao, Boljoon, Carcar, Dalaguete and Oslob.  








Add also those houses of worship found in the cities of Talisay and Naga, as well as the towns of Minghanilla, San Fernando, Sibonga, including the shrine in Simala, to the list of spiritual must-sees (which I hope to include in my forthcoming trips to Cebu).

Apart from their spiritual significance, these churches are stimulants to the creative process. So, I also encourage those who want to create their masterpieces—a painting, a poem, a photoplay or a paperback perhaps—to follow this rousing path to spiritual rejuvenation near Cebu City yet removed from the hubbub of metropolitan chaos.  :-D


In coming up with this anthology on Cebu’s heritage churches, I’ve referred to the following:














Tuesday, July 1, 2014

Captivated by Cebu's Colonial Churches (Part 4)



Like its neighbor Argao, the charming beach town of Dalaguete (pronounced “da-la-get”) derived its name from a species of trees endemic to the place, called dalaket (also spelled as dalakit) by the locals. These trees used to be the assembly points of the town’s early inhabitants wherein socio-cultural activities took place.

It was in one of the natives’ assembly points where the dalaket thrived that the Augustinians founded in 1690 a visita (a community or village that has no priest, and depended on the visits of a neighboring priest for religious ministrations) that came to be known as Dalaguete (which was then a visita of the parish of Carcar).

Later, Dalaguete became an independent parish in 1711 under the patronage of St.  William, the Duke of Aquitaine (San Guillermo de Aquitania). The Rococo-Baroque church, which was named in honor of the town’s patron saint, came much later, constructed between 1802 and 1825, to be exact.

The existing massive edifice, which I visited, stands within the sprawling church complex right in the heart of the town facing Bohol Strait. The once-heavily fortified complex is surrounded with low coral stone barriers with square pillars accented by pointed finials that highlight its fortress Baroque features.

Before going there, I’ve heard some buzz about this church. I wanted to see for myself what makes the house of worship tick among church-hopping weekend warriors. When I finally got to the church, the frustrated architect in me could hardly contain his excitement while gazing at its austere yet awesome architecture.


Bearing a striking resemblance to the one in Argao, the frontage of the Dalaguete Church is divided vertically into three by shallow pilasters festooned with floral motifs extending from the base of the structure all the way to the pediment. Twin cornice stone moldings also horizontally divide the façade into three.

At the uppermost level, a bas-relief of a religious icon adorns the pediment. At the second level, a niched icon of the patron saint is flanked by two semi-circular windows. Below it is a relief of the Spanish coat-of-arms. At the lowest level is the semi-circular main entrance that is flanked by bas-reliefs of two saints I couldn’t figure out. 

The thick, solid buttresses found along the church’s sides, that contributed much to its being earthquake-proof, also emphasize its typical Baroque features. Portals adorned with geometric shapes and pilasters bearing attractive floral designs are also found along its sides. It was in one of the side entrances that I entered the church.

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Main retablo of the Dalaguete Church


Looking up, I noticed the beautiful biblical scenes spread all over the barrel ceiling. Done by muralist/painter Canuto Avila, the murals were painted mostly in pastel—baby blue, light green and pink. Mind you, they looked rather crisp and clear as the day they were finished…almost eighty years ago!

Like the Argao Church, the interior of this Rococo-Baroque church is richly decorated. At first sight, I was instantly captivated by the church’s ornate main retablo that seemed to glow when viewed from afar. Still at a loss for words, I walked fast towards the altar to get a better look at the glorious rarity of the Dalaguete Church. 


As I neared the sanctuary, the gilded wooden retablo, which is embellished with rococo flame-like finials, reminded me of the one I saw in Argao. Unlike those in the other church, the one in Dalaguete isn’t completely painted in gold. Housed inside the niches of the gilded retablo are some venerated icons. I said a little prayer first before I started clicking my Nikon. 

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At one of the side altars, I noticed light streaming in from outside, illuminating the pews where some of the town’s faithful flock were gathered. It pierced through the lancet windows with pointed arches at the top that hints of the church’s Gothic influence. It was one surreal scene I was able to capture and bring home with me. 

The minutes ticked slowly as I scoured the church, capturing the plethora of subjects spread all over. When I was done, it was almost 3:00 in the afternoon. I gathered my stuff and walked outside, heading towards the church’s belfry.


Dalaguete Church and town plaza


Built 25 years after the church was finished, its octagonal belfry, which is capped by a balustraded dome, stands tall on its right side. Like the other churches in the coastal towns of Cebu, it also doubled as an early warning device alerting the townspeople about any impending Moro attack. 




Fronting the church is the town plaza, which has been used as a processional route during religious celebrations since Spanish times. Built in 1938, the imposing statue of Christ the King (Cristo Rey) stands at the middle of the public square.

After exploring the church, I intended to spend a few hours hanging out in one of Dalaguete’s beach resorts. From what I’ve gathered, the town has a number of private resorts scattered all over its palm-fringed, white-sand shores, with Dakong Bato and Ocean Bay being two of the most popular. 

Dalaguete Convent
Dalaguete also has a public beach which is a favorite pleasure ground among locals and out-of-towners. I was on my way there when dark clouds suddenly began to hover all over the town, threatening to spoil what could have been a spur-of-the-moment “chillaxation”, if you can call it that, by the beach. LOL! 
 
Whew, maybe some other time, I thought as I changed course and tried to find my way back to the national highway instead so I can catch the next Ceres bus bound for Cebu City. :-D